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To know them is to understand literature and politics in postwar America. Select four answers to the question what should a reader be to be a good reader: The reader should belong to a book club. The reader should identify himself or herself with the hero or heroine.
The reader should concentrate on the social-economic angle. The reader should prefer a story with action and dialogue to one with none. The reader should have seen the book in a movie. The reader should be a budding author.
The reader should have imagination. The reader should have memory.
The reader should have a dictionary. The reader should have some artistic sense. Of course, as you have guessed, the good reader is one who has imagination, memory, a dictionary, and some artistic sense. While Nabokov was busy scrutinizing and cataloging Critical review essay movie devices, his U.
On another level, however, Nabokov was making a subtle argument about the reading practices that had arisen alongside other changes in the United States just after World War II: Although his pop quiz registers his disdain for readers who deprioritized aesthetics, Nabokov himself was no stranger to such institutional projects of reading.
Never before had so many people aspired to engage with literary texts as serious works of art, armed with an autonomous set of rules governing what they read, how they read, and to what ends.
Whether as exceptional students who went on to become professional writers, editors, publishers, teachers, or scholars of literature, or merely dutiful ones who would scatter into the workforce after graduation, the imprint of the good reader was often treated as a wholesale remaking of whatever reading habits had come before and a defense against those that might come after.
If the way he found shuts bad readers out, they must try to become better.
Who were these bad readers? Where had they come from? What did they want out of reading? Why do bad readers matter? They lead us to the kinds of citizens—the internationalized subjects—that practices of bad reading aspired to produce.
Nowhere was this shift in reading practices more apparent than in institutions of international communication, where American literature played a crucial role in helping national and international readers alike acclimate to the rise of U. At the same time that U. The institutions of literacy cultivation are intriguing not only for the sheer novelty of their political and international conscription of U.
Instead, these institutions strike me as exemplary for how people trained to read under their auspices began to imagine that reading literature might, quite literally, change the world:The best place to buy custom essays online, and how to order your own for colleges and universities.
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Modeled on the highly successful Norton Critical Editions, this series offers illuminating introductions to major monuments of painting. Most people remember and liked the movie, “The Titanic”. Perhaps this was because the movie was based on a real story. And, of course, it was a movie that contained drama; action, adventure and we cannot forget the romance.
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